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PERIL AT END HOUSE A Poirot Mystery, by Agatha Christie
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- Sales Rank: #6295730 in Books
- Published on: 1932
- Binding: Hardcover
- 270 pages
Most helpful customer reviews
1 of 1 people found the following review helpful.
A summer's read with excitement but without the heavy punch of other Christie novels
By Amazon Customer
An enjoyable read. It did not have the same depth and intriguing plot as other Christie novels but readers will still have enough mystery and surprise for a satisfactory experience.
8 of 9 people found the following review helpful.
"Dancing on the Edge of Death..."
By R. M. Fisher
One of the early Poirot novels (the seventh to be exact), and once again narrated by Poirot's faithful companion Hastings, "Peril at End House" is a classic Agatha Christie mystery. In fact, it's so "classic" that it's one of the few mysteries that I managed to puzzle out before the denouement, though this in no way impinges on the reading experience (and takes my grand total of outwitting Christie up to three).
Poirot and Hastings are enjoying a break at the Cornish resort of St Loo when they meet a vivacious young woman known as "Nick". Her real name is Magdala Buckley, but her nickname derives from her grandfather, who was called Old Nick on account of his devilish nature. Both men are enchanted by her, but Poirot is gravely concerned when Nick lightly tells him that she's had three near-death encounters in as many days. That very day, someone takes a shot at her and leaves a bullet hole through the brim of her hat, though Nick doesn't take it very seriously until she realizes that her gun is missing.
Yet she can't think of a single reason why anyone would want to kill her, even though Poirot suspects that the constant nature of the attacks point to someone in her inner circle. Various lodgers, servants, friends and family members regularly converge on End House where Nick lives, and so Poirot asks her to send for a trusted family relation to stay with her at all times.
Yet a case of mistaken identity means that Nick's cousin ends up dead, and Poirot is beside himself with guilt. Somewhere out there is a murderer who has not yet achieved his/her objective, and Nick's life still hangs in the balance - especially when it comes to light that there is a very good reason why someone would want her dead.
It's an interesting twist on the usual mystery, in that it's not a whodunit so much as a who-wants-to-do-it, and far from his usual confident, breezy self, Poirot finds himself stumped on several occasions. But since everything is fair and neatly structured, those familiar with Christie's formula may find that it's relatively easy to piece together the clues and find the culprit. A few leaps of logic are required - but such is the case in most of Christie's novels.
With a few little winks at previous books, such as The Mystery of the Blue Train and the short-story "The Chocolate Box" (chocolates have a prominent role here as well), this is not my favorite Christie novel, nor the best, but certainly worth curling up with on a cold night.
1 of 1 people found the following review helpful.
Golden Age But Not 24 Carat
By C. Schaub
When I first read Agatha Christie's "Peril at End House" many years ago, I was disappointed. I thought there were serious flaws in the plot and that Poirot was practically a caricature of himself. Later I watched a PBS Mystery version, and the flaws seemed even worse. I believe this is one of the books that Agatha Christie in her autobiography admits she couldn't even remember writing.
So it was with some misgivings that I approached rereading "Peril at End House". Yes, the flaws are still there, and it is certainly not one of Miss Christie's best. Nevertheless, it is very good. The plot despite some weak spots is quite clever. The characters are good even with Poirot being "over the top". The Christie humor is there but not as apt as in most of her other works.
I never cease to be impressed with the way in which Miss Christie lays out the clues for the reader. It is always "fair play". One critic compared her to a magician in that she is a master at misdirection. "Peril at End House" is a beautiful example of her use of misdirection -- if 15 or so paragraphs had been printed in bold-face type, almost every reader would have figured out the solution.
Not Agatha Christie at her best, but "Peril at End House" is still a winner.
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