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Handbook of Nuclear Engineering (5 Vol set)From Springer

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The Handbook of Nuclear Engineering is an authoritative compilation of information regarding methods and data used in all phases of nuclear engineering. Addressing nuclear engineers and scientists at all academic levels, this five volume set provides the latest findings in nuclear data and experimental techniques, reactor physics, kinetics, dynamics and control. Readers will also find a detailed description of data assimilation, model validation and calibration, sensitivity and uncertainty analysis, fuel management and cycles, nuclear reactor types and radiation shielding. A discussion of radioactive waste disposal, safeguards and non-proliferation, and fuel processing with partitioning and transmutation is also included.

As nuclear technology becomes an important resource of non-polluting sustainable energy in the future, The Handbook of Nuclear Engineering is an excellent reference for practicing engineers, researchers and professionals.

• Sales Rank: #3603636 in Books
• Published on: 2010-09-14
• Original language: English
• Number of items: 5
• Dimensions: 13.25" h x 10.50" w x 10.00" l, 15.01 pounds
• Binding: Hardcover
• 3574 pages

Review

From the book reviews:

“This is a complete comprehensive multvolume work on the physics, quantum mechanics, and nuclear engineering of heavy metals and their derivatives. … The books are written by the world’s leading experts on nuclear physics and engineering. … I highly recommend this book for nuclear physicists.” (Joseph J. Grenier, Amazon.com, July, 2014)

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1 of 1 people found the following review helpful.
Handbook of Physics & Engineering
By Joseph J Grenier
Handbook of Nuclear Engineering

Springer, Berlin, Heidelberg US

Joseph J Grenier MD PhD

This is a complete comprehensive multvolume work on the physics, quantum mechanics, and nuclear engineering of heavy metals and their derivatives. The fission, fusion, and applied physics of nuclear engineering. The various world reactors are described from the bottom and up. LINACs, neutron, and proton beam applications are very well described, making this book an ideal research tool for radiation scientists involved with safety, storage, and disposal of nuclear wastes. The other appeal of this book is for nuclear medicine physicians, radiation oncologists, and particle physicists involved in uranium, plutonium, and other heavy metals. The books are written by the world’s leading experts on nuclear physics and engineering. Fusion is well covered as are the formulae in solid state physics. Nuclear physicists are the main group addressed by the experts. This is not a “how to” book but one on charged and neutron beam radiosurgery and radiation emission dating back to Einstein, Max Planck, Feynmann, Enrico Fermi, Schrodinger, and others involved in the history of nuclear physics. The Oakridge, Los Alamos, CERN Switzerland, Mass General/MIT and Stanford experiences are catalogued and described for physicists I highly recommend this book for nuclear physicists.

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[E654.Ebook] Ebook Free Sallustius: Concerning the Gods and the Universe (English and Ancient Greek Edition), by Arthur Darby Nock

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Originally published in 1926, this book contains the ancient Greek text of the fourth-century treatise Concerning the Gods and the Universe by Sallustius. Nock provides an English translation on each facing page, as well as a critical apparatus and a detailed set of prolegomena on the historical background, sources, style and transmission of the philosophical essay. This book will be of value to anyone with an interest in late Roman philosophy and in the pagan response to early Christianity.

• Sales Rank: #1557444 in Books
• Published on: 2013-10-17
• Released on: 2013-10-17
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .39" w x 5.98" l, .58 pounds
• Binding: Paperback
• 174 pages

Language Notes
Text: English, Greek (translation)
Original Language: Greek

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6 of 6 people found the following review helpful.
"A Compendium of Platonism"
By Johannes Platonicus
The Neoplatonist Sallust more than likely wrote this work, "On the Nature of the Gods and the Universe," during the reign of the emperor Julian (361-63 AD). It may have been written in reaction to the rising tide of Christianity, in order to promote the pagan reforms of Julian. Nevertheless, the reader will find here a compendium of the Platonic philosophy, as Sallust comprehended it through the works of his predecessor, Iamblichus. The student of Plato will find several ideas to play with in this treatise; and the assiduous collector of Greeco-Roman literature could hardly go without this on the shelf. Although Platonism during this time was becoming an esoteric sect full of commentators bent on orthodoxy rather than free thought, Sallust's work is still unique if taken into context. "On the Nature of the Gods and the Universe," is interesting as a piece of religious propaganda and enlightening as a brief compilation of Platonic thought. Also included here in Thomas Taylor's volume are the wise sayings of Pythagoras as recorded by Demophilus, several hymns by the great Proclus, and five hymns by the scholar Thomas Taylor himself. This is a definite piece of Hellenism for the philosophical and literary enthusiast, and it is thoroughly recommended.

2 of 2 people found the following review helpful.
Ian Myles Slater on: Men, Gods, and the Cosmos
By Ian M. Slater
Since Amazon from time to time sweeps up reviews of different translations of the same work and lumps them all together, I should specify that I am reviewing "Sallustius Concerning the Gods and the Universe," edited with Prolegomena and Translation by Arthur Darby Nock (Cambridge University Press, 1926; first paperback edition, October 2013). (Note that the actual book cover and title page offer the name as "SALLVSTIVS," with the classicizing v-for-u which beginning Latin students often find annoying.)

The present volume runs to about 170 pages, of which about two thirds are front-matter, and supporting apparatus such as indexes. "Concerning the Gods and the Universe" is a Greek tractate offering a philosophical defense of "the Old Religion" (or "paganism") in the face of Christianity. It probably was written during the reign of the Emperor Julian "the Apostate" (361-363), who tried to reverse Constantine's official promotion of Christianity. A heading to one of the manuscripts attributes the work to a certain "Saloustios." The most likely author is one of two contemporary imperial officials with the name Sallustius, probably the one whose name is given in Latin (but not Greek) sources from the period as Sallutius.

Nock accepts an older proposal that the work was written around 363 AD, and while Julian was still alive; with the note that, based on his linguistic and stylistic tests, it could date anywhere from 300 to 430. He assumes that the little book was never officially "published," and perhaps never polished by the author, due to Julian's death, and the return of Christianity to imperial favor.

The approach taken by Sallustius (whoever he was) to understanding the diverse religions of the Roman Empire is somewhat eclectic, or syncretic, but in the main it represents Neo-Platonism in the somewhat popularized form current in Julian's circle. For those already familiar with the history of philosophy in late Antiquity, this means that the ritually-inclined Iamblichus is bigger influence than the elitist mystic, Plotinus. (For those who aren't, this is probably a distinction without a difference.) He relies extensively on the use of allegory to deal with the often-embarrassing mythologies, assimilating the ancient gods and their rituals to the most advanced philosophy of the day. (E.g., sacrifices are not needed by the changeless and perfect gods, but are needed by humans to "animate" the mere words of their prayers, which are themselves a means of union with the divine, not petitions which the gods will answer.)

The text had previously been translated into English twice. The first, in 1793, was by Thomas Taylor ("the Platonist" / "of Norwich," 1758-1835), with supplementary neo-Pythagorean and Neo-Platonic materials. The second was in 1913 by a leading British classicist, Gilbert Murray, (1866-1957), in his "Four Stages of Greek Religion," later expanded as "Five Stages of Greek Religion" in 1935 (the rest of the volume is based mainly on a lecture series Murray had delivered at Columbia University in 1912), and slightly revised with a new Preface in 1951. Both of these translations are available in Kindle and other digital formats, including (the first and second editions of) "Stages of Greek Religion," which sometimes is credited to Sallustius rather than Murrray.

Taylor's version reads fairly well, and, as mentioned, is included with a group of somewhat-related texts, but it is based on obsolete editions of the Greek original, and the eighteenth-century English may put off some readers. Taylor refers to Sallustius' near-contemporaries and contemporaries as Pythagoreans and Platonists, German scholarship not having yet arrived at the New (neo) distinction between the classical philosophers and their latter-day interpreters.

Murray's version, originally made in 1907, is charming -- I find it more readable than Nock's -- but really needs to be read in conjunction with the rest of "Five Stages...," which stands in for a dedicated commentary. In the 1951 preface to "Five Stages," he singles out Nock's edition and translation for praise.

Nock (1902-1963) was a Cambridge-trained classicist, who spent most of his career at Harvard. He developed a reputation as an authority on the literature of the early Christian era -- see, for example, his "Early Gentile Christianity and Its Hellenistic Background," a 1963 compilation of earlier writings (and other titles on his Amazon page).

Nock provides a full Greek text, newly edited from a (then) recently-identified manuscript of better quality than that used in the seventeenth through the nineteenth centuries, with a English translation on facing pages. It is preceded by an introduction ("Prolegomena") surveying the main issues raised by the short work, as well as such issues as language and style, the manuscript transmission and probable authorship. He made ample use of prior scholarship (although he makes a point of saying that he did not consult Taylor, or the other eighteenth-century translations, into German and French).

The "Prolegomena" also includes a chapter-by-chapter (at times paragraph-by-paragraph) summary and commentary, with ample references to classical, late-antique, and early Christian works (plus Philo of Alexandria) which may have influenced Sallustius, or may clarify or amplify his concise text. Thanks to this approach to the problem, the actual Greek text and the translation are free of exegetical notes, making the work much easier to read than with a running textual and interpretive commentary.

A not-very comprehensive-search on my part indicates that there has been one further edition, with a translation into French, published by Collections Bude in 1960 (not seen). There was also a French treatment of the text (which I have not seen either) by Nock's some-time collaborator, A.-J. Festugiere, apparently published in 1944.

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With new friends and allies fighting by his side, Ethan Dragonvein must find a way to overcome the might of the Eternal Emperor Shinzan. As the voices of the dragon’s call to him, he is driven to seek them out in the faint hope that they can help him fulfill his destiny and save the people of Lumnia. But he must hurry. Shinzan has not been idle and moves swiftly to crush this fledgling mage before he can become a challenge to his power.

• Sales Rank: #13037 in eBooks
• Published on: 2015-07-15
• Released on: 2015-07-15
• Format: Kindle eBook

Review
Currently I am working on Dragonvein (Book Three) and hope to have it ready by late October.

About the Author
A native of the United Kingdom, AudioFile Earphones Award winner Derek Perkins's audiobook narration skills are augmented by knowledge of three foreign languages, experience of traveling the globe, and a facility with accents. He has narrated numerous titles in a wide range of fiction and nonfiction genres.

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13 of 16 people found the following review helpful.
is funny. The plot follows the predictability of most fantasy ...
By Kindle Customer
Brian Anderson has talent. It was clear with his first book of the series and is especially true here. He can paint pictures of the scene clearly, he can make me believe in the characters, his prose is clean and fluid and his humor, for the most part anyway, is funny. The plot follows the predictability of most fantasy novels, but this is o.k. It seems that the only way to make a novel of this genre "unpredictable" is to kill of main characters at random. Anderson also falls into the trap of "philosophizing" as if his characters contained true "wisdom." This is a common fallacy that fantasy writers fall in. There are betters ways to express one's opinion of morals and where we come from without explicitly saying them through character monologues. This is not why I read fantasy novels. There is a beautiful attempt to blend the modern and the fantasy into one. One can almost regret that the characters do not spend a lot more time exploring both.

In fact, I would be inclined to rate this book three to four stars if not for his poor use of vulgar language and terribly poor sense of sexual content. There are many books that have a good understanding of vulgarity. They use it in the context of the characters, it fits in the dialogue, and while the language is sharp by its nature, it does not stand out of place of the text. Anderson, at least in the world he has created here, fails to make an impressive enough context to fit it in. He seems like a child, who truly wishing to be that grown-up, is testing his experience with those things his parents have forbidden him to say with the same undesirable result.

This leads us to the sexual content. Yes, the main character is an 18 year old boy who is fighting to comprehend the urges of love and sexuality. However, is it really necessary to tell the audience that the character's "manhood" reacts the same way every time he is approached by a woman? Anderson does nothing to engage the imagination and so the scenes become contrived, forced, and uncomfortable (and not because the reader relates to the character's discomfort). There is a way to approach the situation in which the reader knows without a doubt how the character is reacting without ever needing to explicitly say it (and certainly not in the same way every time). Anderson writes a scene in which the main character stands and finds out that he is in an embarrassingly, compromised position. If the poor use of language had been omitted the audience would have the chance of not only feeling shocked, but share the in the embarrassment of the character. Anderson fails in this. Then there is the pestiferous main antagonist. The audience is already aware the of the twisted nature of Emperor. Considering what has been said on the contrived nature of sexuality in this novel, the reader is then faced with a very unhappy situation. Rape is a detestable thing and can invoke strong emotions in the readers. The level Anderson takes it was ridiculous. Rather than feeling for the people, woman and men, who are being terrorized in this way, the reader is left wondering if in fact the writer needs therapy. The reader will probably find his or herself skipping these scenes not because they are disgusted at the antagonist, but merely at the poor attempt at writing and their disgust at Anderson. If these scenes are sparse, the issue would be not important. But alas, I am compelled to spill ink on the issue.

This is not a great novel. If not for the poor attempts of being "grown-up" the I would easily recommend the novel for light reading. The structure is fluent and the language easy to follow. However, considering its content I cannot. I hope Anderson is able to fix this error in judgement in the future. He has the potential for great works.

8 of 10 people found the following review helpful.
Such a shame. The story had so much potential ...
By Hinaya
Such a shame. The story had so much potential but for some reason the author felt compelled to add forced romance and a few corny scenes that reaĺly don't fit. I wish he stuck true with the story and the adventure.

6 of 8 people found the following review helpful.
Not worth the time it took to read
By Kristin Donovan
I only read this because I needed the conclusion to the first book. Like the first book, the writing is terrible -- choppy and juvenile. The worst part was the "erotic" scenes, which were, by far, the most poorly written parts of the book. It's like the author has never seen a real woman or had a romantic encounter of any kind. Not only are they badly written, they do nothing to further the plot of the book or add any dimension to the story. The could have been left out entirely and the audience would have been the better for it. The story itself is predictable and falls squarely into the fantasy-hero trope. The plot has promise, but poor character development and simultaneously not enough detail (back-story, character stories) and too much detail (unnecessary side points, character 'reflection') makes this a slow, boring read.

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[L329.Ebook] PDF Ebook Bel-ami : the history of a heart,, by Guy de Maupassant

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• Published on: 1910
• Binding: Paperback

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0 of 0 people found the following review helpful.
and was at such a great price!
By Noelle
It came exactly as described from the seller, and was at such a great price!!! I love this version, as it has all these extras to really help you understand the novel, especially for those who aren't native French speakers. Such a wonderful novel in a wonderful presentation at an unbeatable price!

0 of 0 people found the following review helpful.
Good read, I am told.
By Amazon Customer
Bought it for my sister and her book club. Heard it's a fun, entertaining read. I haven't read it but look forward to reading. My other sister read one of the six, bought initially while she was on vacation. She liked it.

6 of 6 people found the following review helpful.
Talk about a Tomcat!!! Step aside Don Juan...
By JoeyD
"Self-love for ever creeps out, like a snake, to sting anything which happens to stumble upon it." Lord Byron 1788-1824

This classic chronicles Georges Duroy's (the main protagonist of the novel) quick rise to power from a poor, lost, ex-soldier to one of the most successful men in all of Paris. Georges is a young man who has indeed been blessed. He's exceptionally handsome, smart, charismatic, resourceful, etc... however, like many men who have been spoiled by the gods, Georges is completely self-centered. It's all about him. He uses these gifts to exploit people, especially women, and without conscience, he manipulates his way to the top of his profession.

I have to honestly say that I have never despised a main male character in a novel more than I did Georges. He is such a lowly cad, a man who is completely amoral and sans ethics. While I was reading the novel I kept waiting for Georges to get his come-uppance. For truly no man can live a life so loathsome before Karma finally decides to pay him a visit. Maupassant's excellent writing style and the hopes that Georges would get his just do, were the two main reasons I kept turning the pages. I could imagine a feminist wanting to burn this book, because of the way the main protagonist deceives women. However, that being said, most of the female characters in the novel are almost just as bad as Georges. They all cheat on their spouses, are self-absorbed & consumed, and lack integrity.

Maupassant interpretation of the hypocritical world of the Paris privileged in the late 19th century is both vexatious and morose. I just can't believe that people could be so damn unprincipled! There wasn't anyone to really root for in this story, no one whom you could really build a connection toward. They were almost all repugnant, self-centered, immoral characters and in many ways the women were worse than the men. It's interesting to note, that Maupassant was good friends with Emile Zola. I can see quite a few similarities between this story and Zola's classic "Nana". Duroy, like Nana, comes from a poor, working class family and like the latter he is almost irresistible to any member of the opposite sex he sets his eyes upon. His sex appeal has no rivals and he is able to exploit these women one after another in order to rise among the Paris elite society. Duroy will go down in my book as the quintessential womanizer of classic literature.

I thoroughly enjoy the way Maupassant writes, but I must admit I had a very difficult time with this one when it was all said and done. Perhaps I was expecting something to happen that didn't. I will refrain from elaborating on that point, for fear it will relate too much about the novel. However, all that being stated, it's a story that does grab your interest and never seems to let go.

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Bel-ami : the history of a heart,, by Guy de Maupassant PDF

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